Copyright Permissions


“i thank You God for most this amazing” from COMPLETE POEMS:  1904-1962, by E.E. Cummings, Edited by George J. Firmage, is used with the permission of Liveright Publishing Corporation.  Copyright © 1950, 1978, 1991 by the Trustees for the E.E. Cummings Trust.  Copyright © 1979 by George James Firmage.

* COMPLETE POEMS:  1904-1962 by E.E. Cummings (ISBN 0-87140-152-5)

SELECTED POEMS OF E.E. Cummings (ISBN 0-87140-154-1)

W.W.NORTON & COMPANY


“June 1954” used by permission of Mary-Beth O’Shea-Noonan

HUNGRY GRASS by Mary-Beth O’Shea-Noonan, © 1998 Amherst Artists & Writers Press


“Black Raspberry Ice Cream Cone” “Goodnight, Sweet Jazz” and “Hello, Broadbeaming Friends” used by permission of Jonathan Scott Boxer.


Excerpts from “When All Hearts Are One”  by William Sloane Coffin from CREDO by William Sloane Coffin © 2004.  Used by permission of Westminster John Knox Press.


Wedding Song by Carol Edelstein used by permission of the poet.


“What are big girls made of” by Marge Piercy.  Copyright © 1997 by Marge Piercy and Middlemarsh, Inc.  Used by permission of the Wallace Literary Agency, Inc.

K A E Z A  F E A R N  composer

Sheva Brachot       2009

    The Seventh Jewish Blessing

    Instrumentation:  mezzo soprano, clarinet, piano, electronic, percussion

     Notes:  Commissioned for a private wedding.


Kitty Song Cycle       2008

    Text by Heinrich Heine (1797-1856)

    Instrumentation:  bari-tenor, piano

     Notes:  Commissioned and premiered by Peter W. Shea, with Monica Jackuc Leverett, piano.


Insegna quai donne si deunon’e leggere per prenderle per moglie       2008

    (Lesson on what kind of woman to take as a wife)

    Text by Francesco da Barbarino (1264-1348)

    Instrumentation:  soprano, baritone, piano

     Notes:  This facetious Italian text gives advice about what woman to take as a wife.


Isaiah 40:31 They Who Wait        2007

    Arrangement of a melody composed by Rev. Elizabeth Alcaide

    Text from Isaiah 40:31

    Instrumentation:  mezzo soprano, piano

     Notes:  Commissioned by the composer of the melody.


Ein Fichtenbaum       2006

    Poem by Heinrich Heine (1797-1856)

    Instrumentation:  baritone, piano

     Notes:  Commissioned for the Native Tree Society Conference 2006.


In Heavenly Love Abiding arr. traditional Finnish melody       2006

    Arrangement of the traditional Finnish melody

    Poem by Anna L. Waring (1264-1348)

    Instrumentation:  alto, piano

     Notes:  This was commissioned by Peter W. Shea.


Wedding Song       2006

    Poem by Carol Edelstein, used by permission

    Instrumentation:  soprano, baritone, violin, cello, percussion

     Notes:  Commissioned for a private wedding.


Seegespenst       2005

    Poem by Heinrich Heine (1797-1856)

    Instrumentation:  tenor, violin, cello, piano

     Notes:  Commissioned by Peter W. Shea.


i thank you God for most this amazing       2003

    Poem by E.E. Cummings (1894-1962)

    Instrumentation:  alto, cello, piano

     Notes: Commissioned for a private party.


Music Master       2001

    Poem by Jalaluddin Rumi (1207-1273)

    Instrumentation:  tenor or soprano, piano

     Notes:  Commissioned for a private wedding.


Out Beyond Ideas       2001

    Poem by Jalaluddin Rumi (1207-1273)

    Instrumentation:  tenor or soprano, piano

     Notes:  Composed during times of political unrest.


June 1954       2000

    Poem by Mary-Beth O’Shea-Noonan (1207-1273)

    Instrumentation:  tenor or soprano, piano

     Notes:  Commissioned by the Cummington Cultural Arts Council


Don’t Try So Hard       2000

   Poem by Stephen Philbrick, used by permission

    Instrumentation:  tenor or soprano, piano

     Notes:  Commissioned by the Cummington Cultural Arts Council


Waiting for the Warden       1999

    Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  This was commissioned by Alan Schneider.


I Saw In Louisiana a Live Oak Growing (Walt Whitman) tenor, piano 1999

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  Premiered at the New England Conservatory.


What are big girls made of? (Marge Piercy) soprano, piano 1999

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  Commissioned  and premiered by Erin Young.


Sonnet XVII (Pablo Neruda) alto, piano 2001

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes: The work of Pablo Neruda remains an inspiration.


Hello, Broadbeaming Friends (Jonathan Boxer) tenor, piano 1999

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  Premiered at the New England Conservatory.


Goodnight, Sweet Jazz (Boxer) tenor, piano 1999

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  This was commissioned by Alan Schneider.


Black Raspberry Ice Cream Cone (Boxer) tenor, piano 1999

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  Premiered at the New England Conservatory.


My Love Is Like a Red, Red Rose arr. folk melody (Robert Burns) alto, piano 1998

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  Premiered at the Helen Hills Hills Chapel, Northampton, MA.


I Want to Be your Friend (ancient Chinese poem) voice, piano 1998

   Poem by Stephen Sandy

    Instrumentation:  tenor or soprano, piano

     Notes:  Private commission.

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